![]() For the second record, I was trying to end in a similar place, but started them all by writing parts with MIDI. For the first record, I’m sampling myself, and then I orchestrate around that. My normal way of working is very improvisational. The piece is graceful and good natured, though one can sense an impish humor at work as well."For each volume, I’ve been trying a different take on the sound. Like the Opus 10 etudes, those of Opus 25 are very much intended for serious concert performance, and not solely for the virtuosic display of technique.Īllegro vivace is the marking of the ninth étude of the group (in G-flat major), and, indeed, this brief piece is through before many listeners have gotten their bearings (it has been, at times, called the "Butterfly" or "Butterfly's Wings" Étude). Opinion on the relative merit of the two sets has varied throughout the last two centuries (some, such as the Hungarian pianist and composer Stephen Heller, a contemporary of Chopin's, see the Opus 25 Etudes as clearly superior to the Opus 10 group, while Robert Schumann is known to have preferred the earlier publication), both collections occupy vital positions within the pianist's repertoire, and, when viewed collectively, we can find examples of almost every facet of pianistic technique and expression. ![]() Ten of the twelve études published as Frédéric Chopin's Opus 25 were actually composed at the same time as the Twelve Études, Op.10 only the first and last pieces of the Opus 25 collection (published in 1837) were put together at a later date.
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